This sculpture evokes the singularity of love and its transformation.

The Sorrow evokes the deep and serious feelings of the separation of the couple.
It challenges the duality between reason and emotions, presence and absence, love and disenchantment.
Sudden or not, the separation of a couple puts an end to a story, hopes and dreams. This pain often makes you think that we will not get up again.
The two characters are naked, and express the loss of protection, this moment of vulnerability.
By making "one" of these "two", separation does not erase the happy moments of the time of love and shared, nor the pain of the time of separation. What has been given cannot be taken back, what has been shared cannot be erased, what has existed cannot disappear.
A rock as a base although narrow, symbolizes immobility.
A sort of waterfall flows from the side of the man and the woman extended by the inseparable metal plinth.
She contrasts the rock as the ying and the yang in reference to Chinese landscape painting. Its downward movement alternates with the upward movement of the mountain, its dynamism with the impassibility of the rock. The waterfall symbolizes the tears of sorrow, a current of force that must be released and transformed into spiritual benefit.

I chose the color white, the symbol of departure, which can mean life or death.